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Artist's Books / Special Editions

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Almond, Darren: All Things Pass

Almond, Darren: Terminus

Almond, Darren / Blechen, Carl: Landscapes

Andreani, Giulia

Appel, Karel

Arnolds, Thomas

Brown, Glenn

Brown, Glenn: And Thus We Existed

Butzer, André

Butzer, André: Exhibitions Galerie Max Hetzler 2003–2022

Chinese Painting from No Name to Abstraction: Collection Ralf Laier

Choi, Cody: Mr. Hard Mix Master. Noblesse Hybridige

Demester, Jeremy

Demester, Jérémy: Fire Walk With Me

Dienst, Rolf-Gunter: Frühe Bilder und Gouachen

Dupuy-Spencer, Celeste: Fire But the Clouds Never Hung So Low Before

Ecker, Bogomir: You’re NeverAlone

Elmgreen and Dragset: After Dark

Elrod, Jeff

Elrod, Jeff: ESP

Fischer, Urs

Förg, Günther

Förg, Günther: Forty Drawings 1993

Förg, Günther: Works from the Friedrichs Collection

Galerie Max Hetzler: Remember Everything

Galerie Max Hetzler: 1994–2003

Gréaud, Loris: Ladi Rogeurs  Sir Loudrage  Glorius Read

Hains, Raymond

Hains, Raymond: Venice

Hatoum, Mona (Kunstmuseum
St. Gallen)

Eric Hattan Works. Werke Œuvres 1979–2015

Hattan, Eric: Niemand ist mehr da

Herrera, Arturo: Series

Herrera, Arturo: Boy and Dwarf

Hilliard, John: Accident and Design

Holyhead, Robert

Horn, Rebecca / Hayden Chisholm: Music for Rebecca Horn's installations

Horn, Rebecca: 10 Werke / 20 Postkarten – 10 Works / 20 Postcards

Huang Rui: Actual Space, Virtual Space

Josephsohn, Hans

Kahrs, Johannes: Down ’n out

Koons, Jeff

Kowski, Uwe: Paintings and Watercolors

La mia ceramica

Larner, Liz

Li Nu: Peace Piece

Mahn, Inge

Marepe

Mikhailov, Boris: Temptation of Life

Mosebach, Martin / Rebecca Horn: Das Lamm (The Lamb)

Neto, Ernesto: From Sebastian to Olivia

Niemann, Christoph

Oehlen, Albert: Luckenwalde

Oehlen, Albert: Mirror Paintings

Oehlen, Albert: Spiegelbilder. Mirror Paintings 1982–1990

Oehlen, Albert: Interieurs

Oehlen, Albert: unverständliche braune Bilder

Oehlen, Pendleton, Pope.L, Sillman

Oehlen, Albert | Schnabel, Julian

Phillips, Richard: Early Works on Paper

Prince, Richard: Super Group

Reyle, Anselm: After Forever

Riley, Bridget

Riley, Bridget: Circles and Discs

Riley, Bridget: Paintings and Related Works 1983–2010

Riley, Bridget: The Stripe Paintings

Riley, Bridget: Paintings 1984–2020

Roth, Dieter & Iannone, Dorothy

Scully, Sean: Dark Yet

True Stories: A Show Related to an Era – The Eighties

Tunga: Laminated Souls

Tursic, Ida & Mille, Wilfried

de Waal, Edmund: Irrkunst

Wang, Jiajia: Elegant, Circular, Timeless

Warren, Rebecca

Wool, Christopher: Westtexaspsychosculpture

Wool, Christopher: Road

Wool, Christopher: Yard

Wool, Christopher: Swamp

Wool, Christopher: Bad Rabbit

Zeng Fanzhi: Old and New. Paintings 1988–2023

Zhang Wei (2017)

Zhang Wei (2019)

Zhang Wei / Wang Luyan: A Conversation with Jia Wei

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Glenn Brown
Text Jean-Marie Gallais


English / German / French
Hardcover with dust jacket
29.7 x 31 cm
60 pages
35 color illustrations
978-3-935567-55-8
$ 50.00
available in the US


 

“Perhaps that’s what Glenn Brown is: a hunter. A good hunter, discreet, always on the lookout for his prey, the images.” The British artist knows his way around and finds his motifs in the large visual memory vaults of art libraries. His work is based on reproductions of old and modern art: he lays bare their innermost secrets and turns them into color-distorted images, whose liquefied surfaces expand both gesture and illusion of the painting medium. If picture titles often reference pop music, that’s because the art is meant to reach out emotionally like a song. This gives rise to fascinating “collisions between one universe and another, between title and image, between treatment and iconography” that Jean-Marie Gallais elucidates in his essay.


For his exhibition at Galerie Max Hetzler in the spring of 2011, Glenn Brown chose a space that would project his play on reflection and remembrance into the room: a bright apartment in Berlin, where the works could develop their post-modern interaction to the full in an art nouveau setting. Here a traditional genre-like floral still life mutated into a bouquet of bodily orifices, portraits of old men wasted away in sickly colors, while the sculptures almost suffocated under broad brushstrokes of oil paint. Add to this the mutilated physicality of large torsos: two headless female figures and a giant horse’s head, shades of Rembrandt, van Gogh, and Menzel … Brown’s complete installation is presented here in individual work images, exhibition views, and zoomed-up details revealing every single brushstroke, that will allow readers to experience everything for themselves.

 

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In collaboration with Galerie Max Hetzler, Berlin