Artist's Books / Special Editions





Almond, Darren: All Things Pass

Almond, Darren: Terminus

Almond, Darren / Blechen, Carl: Landscapes

Andreani, Giulia

Appel, Karel

Arnolds, Thomas

Brown, Glenn

Brown, Glenn: And Thus We Existed

Butzer, André

Butzer, André: Exhibitions Galerie Max Hetzler 2003–2022

Chinese Painting from No Name to Abstraction: Collection Ralf Laier

Choi, Cody: Mr. Hard Mix Master. Noblesse Hybridige

Demester, Jeremy

Demester, Jérémy: Fire Walk With Me

Dienst, Rolf-Gunter: Frühe Bilder und Gouachen

Dupuy-Spencer, Celeste: Fire But the Clouds Never Hung So Low Before

Ecker, Bogomir: You’re NeverAlone

Elmgreen and Dragset: After Dark

Elrod, Jeff

Elrod, Jeff: ESP

Fischer, Urs

Förg, Günther

Förg, Günther: Forty Drawings 1993

Förg, Günther: Works from the Friedrichs Collection

Galerie Max Hetzler: Remember Everything

Galerie Max Hetzler: 1994–2003

Gréaud, Loris: Ladi Rogeurs  Sir Loudrage  Glorius Read

Grosse, Katharina: Spectrum without Traces

Hains, Raymond

Hains, Raymond: Venice

Hatoum, Mona (Kunstmuseum
St. Gallen)

Eric Hattan Works. Werke Œuvres 1979–2015

Hattan, Eric: Niemand ist mehr da

Herrera, Arturo: Series

Herrera, Arturo: Boy and Dwarf

Hilliard, John: Accident and Design

Holyhead, Robert

Horn, Rebecca / Hayden Chisholm: Music for Rebecca Horn's installations

Horn, Rebecca: 10 Werke / 20 Postkarten – 10 Works / 20 Postcards

Huang Rui: Actual Space, Virtual Space

Josephsohn, Hans

Kahrs, Johannes: Down ’n out

Koons, Jeff

Kowski, Uwe: Paintings and Watercolors

La mia ceramica

Larner, Liz

Li Nu: Peace Piece

Mahn, Inge


Mikhailov, Boris: Temptation of Life

Mosebach, Martin / Rebecca Horn: Das Lamm (The Lamb)

Neto, Ernesto: From Sebastian to Olivia

Niemann, Christoph

Oehlen, Albert: Luckenwalde

Oehlen, Albert: Mirror Paintings

Oehlen, Albert: Spiegelbilder. Mirror Paintings 1982–1990

Oehlen, Albert: Interieurs

Oehlen, Albert: unverständliche braune Bilder

Oehlen, Pendleton, Pope.L, Sillman

Oehlen, Albert | Schnabel, Julian

Phillips, Richard: Early Works on Paper

Prince, Richard: Super Group

Reyle, Anselm: After Forever

Riley, Bridget

Riley, Bridget: Circles and Discs

Riley, Bridget: Paintings and Related Works 1983–2010

Riley, Bridget: The Stripe Paintings

Riley, Bridget: Paintings 1984–2020

Roth, Dieter & Iannone, Dorothy

Scully, Sean: Dark Yet

True Stories: A Show Related to an Era – The Eighties

Tunga: Laminated Souls

Tursic, Ida & Mille, Wilfried

de Waal, Edmund: Irrkunst

Wang, Jiajia: Elegant, Circular, Timeless

Warren, Rebecca

Wool, Christopher: Westtexaspsychosculpture

Wool, Christopher: Road

Wool, Christopher: Yard

Wool, Christopher: Swamp

Wool, Christopher: Bad Rabbit

Zeng Fanzhi: Old and New. Paintings 1988–2023

Zhang Wei (2017)

Zhang Wei (2019)

Zhang Wei / Wang Luyan: A Conversation with Jia Wei


Out of print


Legal notice / Privacy policy





Galerie Max Hetzler:
Berlin 1994–2003

Thomas Groetz (ed.)

27 x 27cm
58 pages
150 color and 16 b/w illustrations
30.00 Euro


Berlin 1994–2003, a documentary record of all the exhibitions held at Galerie Max Hetzler in Berlin, vividly illustrates Max Hetzler’s international reputation as a gallerist. In over 100 ex-hibitions since he came to Berlin in 1994, he has regularly brought artists to the capital such as Darren Almond, Rineke Dijkstra, Günther Förg, Ellen Gallagher, Georg Herold, Martin Kippenberger, Jeff Koons, Vera Lutter, Sarah Morris, Albert Oehlen, Yves Oppenheim, Thomas Struth and Christopher Wool, hosting a range of high-profile exhibitions that have contributed to the international debate on art.

Max Hetzler founded his gallery in Stuttgart in 1974; in 1983 he moved to Cologne, Germany’s capital city for art at that time. He later opened his first Berlin gallery in the Schillerstrasse (until 1997). Parallel to this, in 1995 he started up a second gallery in the Zimmerstrasse. He then branched out again in autumn 2001, opening a further gallery beneath the S-Bahn railway arches in the Holzmarktstrasse.

Berlin 1994–2003 retraces these steps. Richly illustrated with installation shots and photographs of exhibits, the book chronologically reproduces all the gallery’s past exhibitions, extracting an inspiring sense of energy from the wealth of vigorous artistic positions they manifest. In a compelling, if not extreme manner, all the artists shown here reveal a shared contempo-raneity, in the sense that in their work each of them challenges the prevailing standards of the unbounded flood of images in our times, reflecting these shifting visual strategies in their works. The unwavering rationale of the gallery’s approach also fostered a large number of programmatic group shows and themed exhibitions curated by artists.


Galerie Max Hetzler, Berlin